{"id":36,"date":"2015-01-07T21:42:02","date_gmt":"2015-01-07T21:42:02","guid":{"rendered":"http:\/\/stories.kera.org\/staggerlee\/?p=36"},"modified":"2015-01-21T17:51:18","modified_gmt":"2015-01-21T17:51:18","slug":"stagger-lee-in-music-over-the-years","status":"publish","type":"post","link":"https:\/\/stories.kera.org\/staggerlee\/stagger-lee-in-music-over-the-years\/","title":{"rendered":"Watch Great Singers Make &#8220;Stagger Lee&#8221; Their Own"},"content":{"rendered":"<p>The classic number &#8220;Stagger Lee&#8221; inspired the Dallas Theater Center&#8217;s new, original musical, <em>Stagger Lee<\/em>. Belonging to the genre known as a &#8220;murder ballad,&#8221; the song details what supposedly happened on December 28, 1895 between a black Texas gambler named Lee Shelton, known as Stagger Lee, and William &#8220;Billy&#8221; Lyons. The two men were rolling dice late at night in St. Louis. According to the best-known versions, Billy won Stagger Lee&#8217;s money and his beloved Stetson hat, and for that, Stagger Lee fatally shot him.<\/p>\n<p>Beyond that, almost all the details and context have been embellished, flipped, denied or completely altered. In some, Stagger Lee gets convicted and hanged. In others, he escapes, he&#8217;s killed by Billy&#8217;s widow, he even goes to hell and takes over from Satan.<\/p>\n<p>But it was that shooting &#8212; and the songs it inspired &#8212; that made Stagger Lee&#8217;s name in American folklore, regardless of how the name is spelled (Stack-O-Lee, Stackerlee, Stagolee). The song has been covered dozens of times, by the artists below as well as by Bob Dylan, Nick Cave, Fats Domino, Lorenzo Antonio and Amy Winehouse.<\/p>\n<h3>Mississippi John Hurt<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/4scedJs6hC8?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Mississippi John Hurt narrates a more elaborate version than usual with &#8220;Stagolee&#8221; a &#8220;desperator&#8221; and coal mine robber. Employing a technique used in several versions, Hurt addresses listeners as the jury (&#8220;Gentleman of the jury, what you think o&#8217; that? \/ Says, &#8220;Stagolee killed Billy de Lyon about a five-dollar Stetson hat&#8221;). A blues master, Hurt was born in 1892 in Mississippi, just three years before the shooting that led to the song he sings. Hurt recorded &#8220;Stagolee&#8221; in 1928.<\/p>\n<p>&nbsp;<\/p>\n<h3>Woody Guthrie<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/j_oRkxMgkXM?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Folk artist Woody Guthrie makes the song into a tall tale ballad, characterizing that &#8220;mean ole Staggerlee&#8221; as a bad man, weighing 500 pounds and carrying a Gatling gun &#8212; though he kills Billy de Lyons with a &#8220;red-hot .44.&#8221; Guthrie tells us, as members of the jury, that we were all glad to see Stagger Lee hang. Guthrie recorded two versions of the song, &#8220;Stagger Lee&#8221; and &#8220;Stack-O-Lee&#8221; in 1931.<\/p>\n<p>&nbsp;<\/p>\n<h3>Wilbert Harrison<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/dAmDxxLV_vw?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Wilbert Harrison of North Carolina got his start in music in the early 1950&#8217;s shortly after leaving the Navy. He began performing in a calypso style, but country and gospel filtered into his sound. (Listen to the stride-piano rhythm style in his left hand.) He&#8217;s best known for his hits, &#8220;Kansas City&#8221; in 1959 and &#8220;Let&#8217;s Stick Together&#8221; in 1962.<\/p>\n<p>&nbsp;<\/p>\n<h3>Lloyd Price<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/FCPutYaGFlE?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Lloyd Price&#8217;s hit reached No. 1 on both the pop and R&amp;B charts in 1959. Little wonder, given the big, pounding production of the song, complete with chorus, wailing saxophone and Price&#8217;s own shouting vocals. A rhythm and blues figurehead of the &#8217;50s and &#8217;60s, Price was known fondly as &#8220;Mr. Personality,&#8221; a nickname taken from his other 1959 single, &#8220;Personality.&#8221; Price was a singer, bandleader, songwriter, producer, record company executive and, since 1998, a member of the <a title=\"Rock &amp; Roll Hall of Fame\" href=\"https:\/\/rockhall.com\/inductees\/lloyd-price\/bio\/\" target=\"_blank\">Rock &amp; Roll Hall of Fame<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<h3>The Isley Brothers<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/-xQPFZw4mpE?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>The Isley Brothers &#8211; originally O&#8217;Kelly Isley, Jr., Rudolph Isley and Ronald Isley &#8211; perform &#8220;Stagger Lee&#8221; in 1964 on the British music television program, <em>Ready Steady Go!<\/em> Their version clearly owes a lot to Loyd Price&#8217;s, but given their incredibly intense, gospel-ish fervor, it&#8217;s easy to see why the Isleys &#8212; and the show &#8212; were such an influence on the British Invasion. The Beatles covered two of the Isleys&#8217; other hits, &#8220;Shout&#8221; and &#8220;Twist and Shout.&#8221;<\/p>\n<p>&nbsp;<\/p>\n<h3>Johnny Rivers<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/ACh68eKNFgk?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Singer-songwriter Johnny Rivers featured &#8220;Stagger Lee&#8221; on his 1965 album, <em>Meanwhile (Back At The Whisky A Go-Go). <\/em>After Beatlemania dominated the song charts, Rivers was the only American artist near the Top 10 in 1964 with his first LP, <em>Johnny Rivers Live at the Whiskey A Go-Go<\/em>. Several raucous, party-band, follow-up albums like this one kept that success going. Rivers&#8217; Louisiana-soul singing voice and twanging guitar-playing made covering &#8220;Stagger Lee&#8221; a natural choice.<\/p>\n<p>&nbsp;<\/p>\n<h3>Taj Mahal<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/NAPF42aAXSM?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>In his inimitable, return-to-roots style, the singer-guitarist Taj Mahal strips the &#8220;Stagger Lee&#8221; song down to his distinctive fingerpicking and his gruff-whispery voice, giving it a lilting yet quietly forlorn quality. Taj Mahal &#8212; born Henry Saint Clair Fredericks &#8212; recorded the song in 1969 and later with Taj Mahal and the Hula Blues in 2003.<\/p>\n<p>&nbsp;<\/p>\n<h3>Jerry Reed<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/N7fmEDZJckY?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Popular country singer and movie actor Jerry Reed of Atlanta, Georgia, produced an upbeat, fast-paced, big band, TV version of &#8220;Stagger Lee&#8221; in 1975, characterized by his fat guitar sound and good ol&#8217; boy humor.<\/p>\n<p>&nbsp;<\/p>\n<h3>The Grateful Dead<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/7aUkg2ZzTLw?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>In their slow-jam style, the Grateful Dead make &#8220;Stagger Lee&#8221; almost a funeral march, stretching it to over seven minutes. Robert Hunter&#8217;s original lyrics are also unheard in any other version (&#8220;Delia went a walking down on Singapore Street \/ A three-piece band on the corner played <a href=\"http:\/\/artsites.ucsc.edu\/GDead\/agdl\/stagger.html#nearer\">&#8220;Nearer, My God, to Thee&#8221;<\/a> \/ But Delia whistled a different tune.&#8221;) This is from a live concert on New Year&#8217;s Eve in 1978 for the last concert at San Francisco&#8217;s Winterland Arena &#8212; heard on the 4-CD live album, <em>The Closing of Winterland.<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3>Sleepy LaBeef<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"675\" src=\"http:\/\/www.youtube.com\/embed\/NjrXes78ziM?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Sleepy LaBeef&#8217;s melodramatically rich, booming voice &#8212; along with plenty of piano and guitar solos &#8212; makes for a high-energy &#8220;Stagger Lee&#8221; with a rockabilly sound that nearly counteracts its murderous scenario. Sleepy LaBeef, born Thomas Paulsley LaBeff, recorded the song in 1994 for his album, <em>Strange Things Happening.<\/em><\/p>\n<p>&nbsp;<\/p>\n<h3>Hugh Laurie<\/h3>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/W0rA3Dmu9B4?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>The English actor is best known for his lead role on TV&#8217;s <em>House. <\/em>But Laurie is also a blues and jazz fan and an accomplished pianist who&#8217;s played with some of Louisiana&#8217;s finest, including Dr. John and Aaron Neville. He performs this &#8212; one of the most recent renditions of &#8220;Stagger Lee&#8221; &#8212; in a Hollywood studio in 2013. The song is featured on Laurie&#8217;s second album, <em>Didn&#8217;t It Rain, <\/em>and no surprise, it has a lot of New Orleans flavor.<em><br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The classic number &#8220;Stagger Lee&#8221; inspired the Dallas Theater Center&#8217;s&#8230;<\/p>\n","protected":false},"author":5,"featured_media":286,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-36","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stagger-lee-making-a-musical","byline-dane-walters","byline-molly-evans"],"_links":{"self":[{"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/posts\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":37,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/posts\/36\/revisions"}],"predecessor-version":[{"id":440,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/posts\/36\/revisions\/440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/media\/286"}],"wp:attachment":[{"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/media?parent=36"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/categories?post=36"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/tags?post=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}