{"id":187,"date":"2015-01-13T20:39:59","date_gmt":"2015-01-13T20:39:59","guid":{"rendered":"http:\/\/stories.kera.org\/staggerlee\/?page_id=187"},"modified":"2015-01-27T21:18:35","modified_gmt":"2015-01-27T21:18:35","slug":"st-louis","status":"publish","type":"page","link":"https:\/\/stories.kera.org\/staggerlee\/st-louis\/","title":{"rendered":"\u201cSt. Louis\u201d: An Opening Number Comes To Life"},"content":{"rendered":"<div class=\"inner post-inner\">How does a big dance number change as a musical develops? Join Art&amp;Seek for a rare look behind the scenes. \u201cSt. Louis\u201d is the all-important, opening number of <a href=\"http:\/\/www.artandseek.org\/organization.php?id=715\">The Dallas Theater Center\u2019<\/a>s <em>Stagger Lee<\/em>. The song sets the play\u2019s themes of African-American migration from backwoods Mississippi to a possibly better life in the big city in the early 1900s. Watch the performance change \u2013 and change some more \u2013 over the course of a year as it proceeds from one of the earliest workshops to a dress rehearsal shortly before previews begin.<\/div>\n<h5 style=\"text-align: center;\">February\u00a02013<\/h5>\n<div class=\"inner post-inner\">Will Power wrote <em>Stagger Lee\u2019<\/em>s book and lyrics and he composed the music with Justin Ellington. In this video, Power talks about the themes of \u201cSt. Louis,\u201d and we show a very early version of the song being performed at an invitation-only workshop performance in Hamon Hall at the Winspear Opera House, which the creators held to get feedback on the story and music. Tiffany Mann sings the role of Delilah.<\/div>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/giToDMcVpUw?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h5 style=\"text-align: center;\">November 2014<\/h5>\n<div class=\"inner post-inner\">Until now, Will Power, Justin Ellington and Daryl Waters have been leading the production. The cast has not been finalized. Director Patricia McGregor, who lives in New York, travels to Dallas for a five-week workshop. In the video at left, McGregor explains how \u201cSt. Louis\u201d is changing. The video at right records the number during the workshop in the Wyly Theatre rehearsal room.<\/div>\n<div class=\"one_half\">\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/oXxwRhxabT4?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<\/div><br \/>\n<div class=\"one_half last\"><br \/>\n<iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/a3N8D40ghbc?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<\/div><div class=\"clearboth\"><\/div><\/p>\n<h5 style=\"text-align: center;\">December 2014<\/h5>\n<div class=\"inner post-inner\">Choreographer Millicent Johnnie has left the production and Camille A. Brown replaces her. Rehearsals have begun. Previews are in a month. In the video at left, Brown talks about stepping into her role. The video at right is the latest version of \u201cSt. Louis\u201d in rehearsal.<\/div>\n<p><div class=\"one_half\"><br \/>\n<iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/twUoY9t6Xis?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<\/div><br \/>\n<div class=\"one_half last\"><br \/>\n<iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/ppr7X2NGAI8?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<\/div><div class=\"clearboth\"><\/div><\/p>\n<h5 style=\"text-align: center;\">January 2014: Dress Rehearsal<\/h5>\n<div class=\"inner post-inner\">On Jan. 16, the cast performed the &#8220;St. Louis&#8221; number all the way through, in costume, for the first time &#8212; on the Wyly Theatre stage instead of in the rehearsal room. Here again, we see the first minutes of that opener. Some stage elements are missing (note the two stagehands standing in for a tree on the left). Previews, originally to begin Jan. 21, are now scheduled for the 22nd. The number, and the musical itself, will continue to evolve right up to opening night, Jan. 30.<\/div>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/3cWJaevIaZg?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<h5 style=\"text-align: center;\">January 2014: Preview Performance<\/h5>\n<div class=\"inner post-inner\">Thursday, January 22. Opening night is a week away. The company puts on its first preview performance. The audience hears a complete band and the set\u2019s elements are now in place. But the show, sound and lights will continue to be tweaked until opening night. Footage: Bobby Hester for Dallas Theater Center.<\/div>\n<p><iframe loading=\"lazy\" width=\"900\" height=\"506\" src=\"http:\/\/www.youtube.com\/embed\/Myfu9yUrrBk?feature=oembed\" frameborder=\"0\" allowfullscreen><\/iframe> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>How does a big dance number change as a musical&#8230;<\/p>\n","protected":false},"author":1,"featured_media":158,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-187","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/pages\/187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/comments?post=187"}],"version-history":[{"count":54,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/pages\/187\/revisions"}],"predecessor-version":[{"id":534,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/pages\/187\/revisions\/534"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/media\/158"}],"wp:attachment":[{"href":"https:\/\/stories.kera.org\/staggerlee\/wp-json\/wp\/v2\/media?parent=187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}